Objective:
In the last lesson we analyzed elements authors use to make
their point: purpose, tone, and point of view. The end result
is that they are speaking to you; they are engaging you in
a conversation. You are an active participant in whatever
you read. You not only figure out the author's purpose and
message, you respond to their ideas intellectually and emotionally,
with your brain and your heart. You make decisions about whether
the ideas make sense. You evaluate the reasoning the authors
present to you and even draw conclusions about those ideas.
Ready? Let's take a look at how that conversation between
you and the author works!
This lesson will help you engage in a discussion with the
author, evaluating their ideas and themes, drawing conclusions
and making generalizations from the reading passage.
In this lesson you will:
Vocabulary:
These words will be used in this lesson. They might be quite
familiar to you, or you might want some review. For review,
just click the Tools tab and open Vocabulary.
Theme or idea |
Evaluate (decide, judge) |
Generalization |
Conclusion |
Tips and Tools:
Theme is a concept practiced in Lesson 1 of this course.
You found specific tips about how to determine theme, what
questions to ask while reading and more. To review, just click
the Lessons tab, Narrative - Lesson 1.
Theme is a difficult concept. Remember keys to
a simple definition:
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Theme is a
message the author wants to share with the reader.
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It is usually a big idea about life or
about people.
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There can be more than one theme or idea
in a passage, but usually, there is one that fits the
whole passage.
-
A theme is more than a word; it should
be stated in a complete sentence.
- Topic + author's attitude = Theme
Questions to ask when looking
for theme:
- Has the main
character changed?
- What lessons has he or she
learned?
- Does the title reveal anything
special about the story?
- What is the conflict in
the passage?
- Does the narrator make any key
statements about life or people?
- Can this idea be supported by
details in the passage?
- Are the author's choice of plot,
character, conflict connected or controlled by this idea?
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About active evaluation:
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You know a lot about evaluation already. When
you score your own writing, you are evaluating, or judging
it against a set of standards, or criteria. You are matching
your writing to a target and making a decision about the quality
of your writing.
Readers evaluate when they:
. . . compare, conclude, contrast,
criticize, describe, discriminate, explain, justify, interpret,
relate, summarize and support.
Evaluation is taking everything you know from the
narrative and from life, and making a judgement:
- Is it logical? Does it make
sense?
- Are conclusions presented by
the author supported with enough information?
- What is the value of the story?
Readers ask:
Who is the author writing to? Me or another group of people?
What response do they expect from their readers or from me?
Should I laugh, cry, scream in terror or anger, jump up to
fight for a cause, giggle, shudder, be convinced or not, swell
with pride or warm with compassion?
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What questions can I ask to start my evaluation of a story?
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Remember when you evaluate, you should have a set of standards
to compare or judge the writing against. Just like the scoring
criteria you've used for your own writing, you need to know
what elements make a story great, average, or one you'll soon
forget. You might use these questions as criteria.
Ask:
- Does the setting seem believable? Does it add
to the story?
- Is the plot believable, or does it rely too
much on chance or events that don't really belong with the
rest of the story?
- Are the characters believable? Are their motivations
clear? Do they change or develop in the story and are the
reasons for those changes clear and believable?
- Does the dialogue sound natural?
- Does the story's ending resolve the main
conflict in a satisfying way?
- Does the story have a theme or is the author's
purpose only to entertain?
- Is the writer's style interesting to read? Is
the language fresh, imaginative, descriptive? Does it make
me want to find another book by the same author? Does it
make me want to talk with the author?
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Generalizations? What are they? How do I make or evaluate
generalizations?
- All chocolate
is nutritious.
- All students
can learn.
- People need
oxygen to live.
- Drugs are
bad for you.
- All four
statements above are generalizations.
Generalizations are statements that apply to a whole group
of people or things. The word ALL is
a clue, as well as the name of a group of things, such as
people, animals, clouds, vegetables, school, cars, musicians,
clothing and the list could go on forever.
You might have felt an argument arising when you read some
of the statements above. You have already started to evaluate
the truth or validity of the statements and have judged some
of the statements to be false generalizations.
Of course all chocolate is not nutritious;
in fact there is only recent evidence showing a possible
minor nutritious element of chocolate. Of course not all
drugs are bad for you; aspirin, allergy spray, and chemotheraphy
have positive effects if used as prescribed. Of course street
drugs damage the user.
A true or valid generalization must be true for every individual
or thing in the group. All people need oxygen
is a valid generalization because there is not one human being
who can live without oxygen. Valid generalizations must have
lots of evidence; they are based on many many observations
and experiences.
When you make a generalization from the events, characters,
or ideas in a narrative passage, ask:
- Is it true in all cases?
- Is there any case in which it is not true?
- Is there evidence such as facts, examples, information
from experts, to prove the generalization is true?
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What do I need to know about drawing conclusions?
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Merriam Webster says when you draw a conclusion,
you make a thoughtful
decision about something; you think about the evidence (supporting
details and what you know ) and reach a logically necessary
end by reasoning; you infer on the basis of evidence in the
story.
The two keys are:
- Evidence. Always always always be able to support your
conclusion with evidence from the text. Don't take a side
path and make statements that cannot be supported with evidence
from the text. Even though you may have an opinion, you
need to write about what the author says. Be able to prove
it!
- Logic. A conclusion has to make sense. It has to be reasonable.
It has to be something you can explain clearly, and a friend
or teacher will say, "Oh, yes, I understand. That
makes total sense!"
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In the next section, you'll see some examples of how the Tips
and Tools will help you evaluate themes and ideas
in narrative passages.
Example
1 >>
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