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Federal Way Public Schools  
Thinking Critically
Lesson 9
Evaluating Ideas and Themes
 Objectives/Vocab/Tips > Examples: 1 | 2 | 3 > Practice: 1 | 2 | 3 | 4 > Self Check

ALPObjective:

In the last lesson we analyzed elements authors use to make their point: purpose, tone, and point of view. The end result is that they are speaking to you; they are engaging you in a conversation. You are an active participant in whatever you read. You not only figure out the author's purpose and message, you respond to their ideas intellectually and emotionally, with your brain and your heart. You make decisions about whether the ideas make sense. You evaluate the reasoning the authors present to you and even draw conclusions about those ideas. Ready? Let's take a look at how that conversation between you and the author works!

This lesson will help you engage in a discussion with the author, evaluating their ideas and themes, drawing conclusions and making generalizations from the reading passage.

In this lesson you will:

  • Review the meaning of evaluating ideas, drawing conclusions, and making generalizations
  • Identify strategies to help you evaluate authors' ideas and themes
  • Practice evaluating themes and ideas in narrative passages
  • Practice drawing conclusions from narrative passages
  • Practice making generalizations from narrative passages
  • Score and evaluate your answers.

Vocabulary:

These words will be used in this lesson. They might be quite familiar to you, or you might want some review. For review, just click the Tools tab and open Vocabulary.

Theme or idea
Evaluate (decide, judge)
Generalization
Conclusion

Tips and Tools:

Theme is a concept practiced in Lesson 1 of this course. You found specific tips about how to determine theme, what questions to ask while reading and more. To review, just click the Lessons tab, Narrative - Lesson 1.

Theme is a difficult concept. Remember keys to a simple definition:

Theme is a message the author wants to share with the reader.
  • It is usually a big idea about life or about people.
  • There can be more than one theme or idea in a passage, but usually, there is one that fits the whole passage.
  • A theme is more than a word; it should be stated in a complete sentence.
  • Topic + author's attitude = Theme

Questions to ask when looking for theme:

  1. Has the main character changed?
  2. What lessons has he or she learned?
  3. Does the title reveal anything special about the story?
  4. What is the conflict in the passage?
  5. Does the narrator make any key statements about life or people?
  6. Can this idea be supported by details in the passage?
  7. Are the author's choice of plot, character, conflict connected or controlled by this idea?

About active evaluation:

You know a lot about evaluation already. When you score your own writing, you are evaluating, or judging it against a set of standards, or criteria. You are matching your writing to a target and making a decision about the quality of your writing.

Readers evaluate when they:

. . . compare, conclude, contrast, criticize, describe, discriminate, explain, justify, interpret, relate, summarize and support.

Evaluation is taking everything you know from the narrative and from life, and making a judgement:

  • Is it logical? Does it make sense?
  • Are conclusions presented by the author supported with enough information?
  • What is the value of the story?

Readers ask:

Who is the author writing to? Me or another group of people? What response do they expect from their readers or from me? Should I laugh, cry, scream in terror or anger, jump up to fight for a cause, giggle, shudder, be convinced or not, swell with pride or warm with compassion?

What questions can I ask to start my evaluation of a story?

Remember when you evaluate, you should have a set of standards to compare or judge the writing against. Just like the scoring criteria you've used for your own writing, you need to know what elements make a story great, average, or one you'll soon forget. You might use these questions as criteria.

Ask:

  1. Does the setting seem believable? Does it add to the story?
  2. Is the plot believable, or does it rely too much on chance or events that don't really belong with the rest of the story?
  3. Are the characters believable? Are their motivations clear? Do they change or develop in the story and are the reasons for those changes clear and believable?
  4. Does the dialogue sound natural?
  5. Does the story's ending resolve the main conflict in a satisfying way?
  6. Does the story have a theme or is the author's purpose only to entertain?
  7. Is the writer's style interesting to read? Is the language fresh, imaginative, descriptive? Does it make me want to find another book by the same author? Does it make me want to talk with the author?

Generalizations? What are they? How do I make or evaluate generalizations?

  1. All chocolate is nutritious.
  2. All students can learn.
  3. People need oxygen to live.
  4. Drugs are bad for you.
  5. All four statements above are generalizations.

Generalizations are statements that apply to a whole group of people or things. The word ALL is a clue, as well as the name of a group of things, such as people, animals, clouds, vegetables, school, cars, musicians, clothing and the list could go on forever.

You might have felt an argument arising when you read some of the statements above. You have already started to evaluate the truth or validity of the statements and have judged some of the statements to be false generalizations.

Of course all chocolate is not nutritious; in fact there is only recent evidence showing a possible minor nutritious element of chocolate. Of course not all drugs are bad for you; aspirin, allergy spray, and chemotheraphy have positive effects if used as prescribed. Of course street drugs damage the user.

A true or valid generalization must be true for every individual or thing in the group. All people need oxygen is a valid generalization because there is not one human being who can live without oxygen. Valid generalizations must have lots of evidence; they are based on many many observations and experiences.

When you make a generalization from the events, characters, or ideas in a narrative passage, ask:

  • Is it true in all cases?
  • Is there any case in which it is not true?
  • Is there evidence such as facts, examples, information from experts, to prove the generalization is true?

What do I need to know about drawing conclusions?

Merriam Webster says when you draw a conclusion, you make a thoughtful decision about something; you think about the evidence (supporting details and what you know ) and reach a logically necessary end by reasoning; you infer on the basis of evidence in the story.

The two keys are:

  1. Evidence. Always always always be able to support your conclusion with evidence from the text. Don't take a side path and make statements that cannot be supported with evidence from the text. Even though you may have an opinion, you need to write about what the author says. Be able to prove it!
  2. Logic. A conclusion has to make sense. It has to be reasonable. It has to be something you can explain clearly, and a friend or teacher will say, "Oh, yes, I understand. That makes total sense!"

In the next section, you'll see some examples of how the Tips and Tools will help you evaluate themes and ideas in narrative passages.

Example 1 >>

 

 
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